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              <text>Ver online &lt;a href="https://issuu.com/patrimoniocultural123/docs/casas_de_valdivia"&gt;https://issuu.com/patrimoniocultural123/docs/casas_de_valdivia&lt;/a&gt;</text>
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              <text>Herencia alemana -- Yungay - General Lagos -- Picarte -- Isla Teja -- Entorno.</text>
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              <text>Guarda, Gabriel, 1928- Chileno. Sacerdote benedictino (O.S.B.), arquitecto y escritor. Nació en Valdivia el 19/1/1928.</text>
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                <text>Padre Gabriel Guarda</text>
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              <text>Antropólogo de la Universidad Austral de Chile y sonidista autodidacta. Desde 1998 desarrolla investigación, registro y difusión del patrimonio cultural y natural sur de Chile.</text>
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                <text>Carpintería de Ribera del Río Cutipay</text>
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                <text>Este libro nace del asombro ante el mágico oficio y maestría de los carpinteros de ribera, quienes poseen la impresionante habilidad de transformar árboles y nobles maderas en fabulosas naves que han de surcar los ríos, lagos y mares de nuestro país. Es un viaje al desconocido mundo de aquellos maestros que, poseedores de certeros conocimientos heredados de una mixtura cultural, hasta el día de hoy se introducen en medio del bosque y las barracas para seleccionar las maderas que han de convertirse por sus manos, arte, ingenio y destreza en una fantástica embarcación. En el río Cutipay, uno de los tantos cursos de agua navegables cercanos a Valdivia, existe uno de los últimos vestigios de este arte de carpintería de ribera en manos de “Los Villanueva”, cuatro maestros hermanos y algunos familiares directos herederos de una tradición que ha sido parte cotidiana de su cultura y forma de vida desde hace ya más de 40 años.</text>
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              <text>Ver online &lt;a href="https://issuu.com/miap/docs/rutas_patrimoniales_web"&gt;https://issuu.com/miap/docs/rutas_patrimoniales_web&lt;/a&gt;</text>
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                <text>Caminando con la historia: guía de rutas patrimoniales San José de la Mariquina</text>
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                <text>Guía de rutas patrimoniales San José de la Mariquina por Salustio Saldivia Donicke</text>
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              <text>La fundación del Cuerpo de Bomberos de Río Bueno, tiempos de creación  Desarrollo institucional: yiempos de consolidación del Cuerpo de Bomberos  Anecdotario  Voluntarios mártires  Conmemoración del centenario. Tiempos de celebración y reafirmación del compromiso de servicio</text>
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              <text>Araneda Pradenas, Eduardo</text>
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              <text>Prólogo: La amenaza feliz de la lluvia / Miguel íngel Felipe Fidalgo -- Rodolfo Knittel Reinsch, un retrato borroso / Ricardo Mendoza Rademacher -- La visión vital de Rodolfo Knittel Reinsch : un enlace a nuestro pasado / Mariana Matthews -- El álbum fotográfico como relato visual / Adrián Silva Pino -- Fotografías / Rodolfo Knittel Reinsch y Erico Volkmann Hornichel (páginas 31-139) -- Knittel, a blurred portrait / Ricardo Mendoza Rademacher -- The vital vision of Rodolfo Knittel : a lifeline to our past / Mariana Matthews -- The photographic album as visual account / Adrián Silva Pino.</text>
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                <text>Knittel Reinsch, Rodolfo, 1876-1958, Alvarado P., Margarita , editora, Matthews, Mariana , editora  Knittel se presenta como un valdiviano profesional y un fotógrafo aficionado", palabras que usa el prologuista para describir al hombre detrás de una de las obras fotográficas más representativas de Valdivia y sus alrededores, objeto de estudio desde perspectivas estréticas, históricas y antropológicas. La obra incluye, además de una selección de imágenes, artículos de Ricardo Mendoza R., Mariana Matthews y Adrián Silva P., los cuales, desde perspectivas distintas, aportan al análisis y reflexión de la obra de este fotógrafo, viajero y explorador.  Contenido: Presentación: Colección "Relatos del Ojo y de la Cámara. Fotografía Patrimonial Chilena" / Margarita Alvarado Pérez y Mariana Matthews</text>
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              <text>Â¿Por qué hacer un rescate fotográfico? -- Formas de vida y personajes -- Patrimonio arquitectónico y ferroviario -- Historia política y administrativa de la comuna de Máfil -- Alcaldes de Máfil.</text>
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              <text>Presentación. Colección "Relatos de! Ojo y la Cámara. Fotografía Patrimonial Chilena"/ Margarita Alvarado Pérez - Mariana Matthews  Prólogo. Las olas siempre distintas de los ríos siempre iguales -- Entre la luz y la sombra: Fragmentos de la familia Valck-Wiegand a través del tiempo / Carolina Odone Correa -- Fotografía en la Frontera. El trabajo de los Valck en el sur chileno / Mariana Matthews -- La fantasía fotográfica del otro. La estirpe Valck y sus imágenes de los mapuche / Margarita Alvarado Pérez -- Fotografías / Cristián Enrique Valck -- Cristián Enrique Valck e hijos -- Jorge Valck Wiegand -- Fernando Valck Wiegand -- Frida B. de Boehmwald -- Bruno y Arnulfo Valck Momberg -- Between light and shadow: Fragments from the life of the Valck-Wiegand family through time / Carolina Odone -- Valck's work in southern Chile / Mariana Matthews -- The photographic fantasy of the other. The Valck lineage and their images of the mapuche / Margarita Alvarado Pérez.</text>
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              <text>La importancia documental de la fotografía  Valdivia antes del gran incendio de 1909  Fotografías de Valdivia previas al gran incendio  El gran incendio  Crónica del incendio  Plano de Valdivia en 1909 con detalle de manzanas destruidas  Fotografías del gran incendio  Fuentes de las imágenes y detalle de citas bibliográficas  Doña Elisa Seiter en libre plática.</text>
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                <text>MINIMALES representa una propuesta contemporánea en base a textos de tres autores locales, unidos azarosamente por un espacio mínimo y un sentimiento de fin de mundo, en que el odio y el amor, la vida y la muerte, luchan en el desolado claustro de las relaciones entre personajes.  Director: Roberto Matamala Elorz.  Cía. de Teatro UACh.</text>
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                <text>Narra la tragedia de Ciro un patrón rural del sur quien, pese a tener amores con Hortensia, casa con Minina. Ante la imposibilidad de tener hijos con esta, vuelve a su primer amor. La esposa desesperada decide entregarse a cuanto hombre se cruce su camino, quedando embarazada, mientras Hortensia no puede engendrar, haciendo patente la infertilidad de Ciro, quien, deshonrado en su masculinidad, se castra ante la comunidad. Chanchos, yeguas, treiles y bandurrias, forman un grotesco coro griego que enuncia las voces en sordina del pueblo.    El tema central es el machismo y la animalización grotesca de los personajes se percibe desde la primera indicación en el texto¦ En esta obra cada personaje o actor posee dobles animales, justamente porque Guzmán busca, a través de la construcción grotesca, el efecto siniestro en la escritura con el uso retórico y en el espectáculo con el movimiento, las voces, la vestimenta y los accesorios ¦ (Dra. Pamela Cárcamo) Los amores del amor fue estrenada por el Teatro Luna el año 1991.</text>
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                <text>La repartija tensiona al máximo el lenguaje escénico para representar las más oscuras pulsiones del alma humana en la lucha por la posesión de las cosas, de la materialidad, de la propiedad de la que el poder emana. Así, esta repartija de una herencia se muestra a través de los contrastes entre teatro y realidad autobiográfica, actores y personajes, oralidad y lenguaje corporal, humanos y pájaros, codicia y rapiña, pecados como de antiguo testamento y pureza. Para desembocar en la agonía máxima: la muerte y la maldición de las poderosas palabras finales.    ¦En La Repartija “ signo indudable de los tiempos, que el autor muestra para el fin de siglo-, los dioses, la peste, la maldición, la venganza están en las cosas que nos rodean. Esas cosas que enmascaramos con voces de recuerdos, símbolos, valor sentimental. Cosas que en último término significan propiedad y, por tanto, poder¦(R. Matamala) La primera versión, premiada por el Departamento de Artes de la Representación de la Universidad de Chile y publicada por Editorial Andrés Bello el año 1978, fue estrenada por el TUM (Teatro Universitario Municipal de Temuco). Posteriormente, en una puesta en escena del Teatro Luna, fue seleccionada por el Ministerio de Educación de Chile para itinerar por el país.</text>
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              <text>En referencia al período en el cual se acota nuestra investigación, dos elencos dominan la etapa teatral de estos cuatro lustros: el Teatro Luna, en la última década del siglo XX, y la Compañía de Teatro de la Universidad Austral de Chile ”más tarde Teatro Pequeña Isla”, durante los años inaugurales del presente siglo. Ambos elencos recorren el país de Putre a Tierra del Fuego, llevando una dramaturgia propia (Los amores del amor, Cuestión de brujos, asunto del aire, etc. de Guzmán y Juanito Madera, Los cuentos de Pedro Urdemales de Matamala). De características diferenciadas, comparten, sin embargo, rasgos comunes, como la ya mencionada dramaturgia original; la vocación por la gira y la presentación en lugares acondicionados rápida y precariamente como teatros ”gimnasios, patios de escuelas, polideportivos”; la multifuncionalidad de los teatristas integrantes; y, finalmente, un fuerte liderazgo de sus directores, tanto en lo referido a la producción dura (organización y administración de la empresa, proyectos, financiamiento, etc.), como a la propuesta estética y política.    Tanto más importante nos parece revelar esta pequeña historia, cuanto su conocimiento en el mundo teatral chileno (es decir, santiaguino) es prácticamente nulo.    Otros interesantes aspectos merecen ser estudiados más allá del surgimiento de estas propuestas: El reemplazo de la Compañía de la UACH por la Pequeña Isla; el trabajo de otros grupos independientes; el definitivo engarce del teatro en la academia, mediante investigación, publicaciones, organización de encuentros, seminarios y congresos en la Universidad Austral de Chile; y, sobre todo, su presencia como currículum, con una asignatura obligatoria y cinco optativas, en la malla curricular de la Escuela de Profesor en Lenguaje y Comunicación, que finalmente posibilita a los graduados de esta escuela a obtener una certificación de Director de Teatro Escolar. Esta presencia se manifiesta en la compañía de los alumnos de la escuela de Lenguaje y Comunicación, Zotavento (sic), y se proyecta hacia el futuro en cursos de post grado y en la implementación de un Diplomado en teatro: educación y creatividad, a partir de 2019, cosa que será descrita en un capítulo especial por la profesora Claudia Rodríguez Monarca.    Estos antecedentes someros, nos hacen pensar en la perentoria necesidad de conocer, fijar y difundir la rica y singular historia teatral valdiviana como las raíces del árbol del teatro local del siglo XXI que las nuevas generaciones cuidarán y harán crecer. Cabe mencionar que la gran mayoría de los actores (en el sentido de intervinientes activos) del período siguen viviendo en Valdivia o están al alcance vía teléfono o mail. De tal manera hemos hecho un listado preliminar de 36 participantes activos del movimiento, que pueden no tan sólo darnos sus relatos, sino socializar una vasta colección de afiches, programas de mano, recortes de los diarios de la época, fotografías, etc. Para la revisión de prensa contamos con el archivo de El diario Austral y el Diario 24 Horas en la Biblioteca Municipal y el archivo de El Correo de Valdivia existente en la Municipalidad local (este último solo como referencia, ya que había sido reemplazado por el Austral en el período que se estudiará).    Finalmente, debemos mencionar que este trabajo es la continuación de el anterior proyecto de investigación La escena temblorosa. Historia del teatro en Valdivia (1960-1990), con su producto libro en etapa final y cuyo avance presentamos en anexo.</text>
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              <text>Capítulo 0 El Triunfo del Deseo y el Fracaso de la Voluntad  1. El Triunfo del Deseo, auto de Martínez de Bernabé en la Jura de Carlos III en Valdivia, 1760  2. Camila ó la Patriota de Sud-América de Fray Camilo Henríquez  Capítulo I La Precaria Voluntad de Ser  Capítulo II La Escuela de Teatro  Capítulo III La Escuela tras el Golpe  Capítulo IV Años Mínimos. Los Grupos Vocacionales e Independientes. El Teatro de la UTE y La Rueda  Capítulo V El Taller Municipal de Teatro  Capítulo VI El Teatro Independiente de Cámara, TIC  Capítulo VII La Voz de los 80. La Irrepetida Actividad Teatral de los 80  Capítulo VIII Los Amigos del Teatro y los Festivales de Teatro de Valdivia</text>
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                <text>Este libro presenta una antología inédita de las obras que su autor ha adaptado durante toda su vida académica para estudiantes, profesores y amantes de la dramaturgia en general, "chilenizando" su lenguaje y tornándolas más atractivas y al alcance de audiencias contemporáneas. Entre otras, destacan: "El médico a palos" de Moliére, "Noche de Reyes" de Shakespeare, "La petición de mano" de Chejov y "Las Bacantes" de Eurípides.</text>
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                <text>Lautaro, joven mapuche, fue capturado por los conquistadores españoles y obligado a servir a Pedro de Valdivia. Pero después de varios años de cautiverio, logró escapar y regresó a su pueblo para planear una venganza. Lautaro se reencontrará con la magia de su tierra, el Wallmapu, y junto al sabio Kolo Kolo, los guerreros Galvarino y Caupolicán, librará una guerra a muerte contra los invasores españoles.    https://www.librosmackay.cl/libros/wallmapu-toqui-lautaro/</text>
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                <text>Cómics El Puente de Daniel Arriagada. En Valdivia, una de las ciudades más lluviosas del Sur de Chile, una joven estudiante debe llegar a tiempo a clases, sin embargo, solo hay algo que se puede interponer entre ella y su destino, el Puente Pedro de Valdivia.</text>
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                <text>El artista visual Jacques Truffert presenta "Longko Janekeo", una heroína Mapuche que llegó a liderar un ejército de hombres contra los españoles.    La historia sitúa su aparición en un lejano 1587, año en que cobró absoluto protagonismo al tratar de frenar la avanzada de los soldados españoles en el sur de Chile. Y lo hizo liderando un ejército de cientos de guerreros bajo una misma bandera: la venganza y la defensa del territorio.    Janekeo había sufrido la pérdida de su marido, el lonco Wepotaén, a manos de los conquistadores lo que fue el detonante para transformarse en símbolo de la resistencia y la búsqueda de justicia. Así fue que logró cosas casi imposibles para la época. Fue investida como lonco y guió a los hombres en batalla.    Por la naturaleza del registro de los hechos en pleno Siglo XVI es que los cronistas disputan la veracidad del relato. Lo indiscutible es que Janekeo se volvió inmortal y ahora suma un nuevo capítulo en su fascinante historia.    Fuente: Daniel Navarrete Alvear Diario Austral de Valdivia 14/08/2022</text>
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                <text>TRUFFERT, JACQUES </text>
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                <text>2022</text>
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                <text>Nadie más tiene que morir</text>
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                <text>Novela gráfica Nadie más tiene que morir, que rinde homenaje a hombres y mujeres que hace 60 años enfrentaron el fenómeno del Riñihuazo, posterior al Terremoto en Valdivia, en 1960. Malcolm Leiva Gebhard, guionista y co-autor de la novela gráfica y Lucho Inzunza, su ilustrador.</text>
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                <text>2020</text>
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