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                <text>Poemario de Clemente Riedemann - Premio "Pablo Neruda" 1990 - Primer Arqueo de Clemente Riedemann reúne, en un estricto  sentido de inversión cronológica, poemas escritos entre julio de 1989  y febrero de 1975. Este elemento no es casual, al contrario,  constituye un eje de lectura que articula el texto en su conjunto.  El gesto, a no dudar, va mÂ£s allá de un afán nostálgico por rescatar  un pasado que se acaba. En este caso, volver al pasado está  signado como un airoso saludo al futuro. No hay pues un gesto  romántico, sino testimonial. Este sentido de inversión cronológica  está marcado, por un lado, como una lectura de un pasado  personal y colectivo Â—leerse a sí mismo es leer una parte de nuestra  historiaÂ— y, por otro, como un conjunto de textos producidos en  instancias diversas de escritura y cuya articulación provoca, en  este nivel, su lectura como un solo gran poema, pues tiene la crónica  como eje subyacente de su textura.  Desde un discurso conversacional que articula la emotividad y la  ironía con la directa referencialidad, Primer Arqueo asume la  problematización de parte de nuestra mitología colectiva.  Se escribe aquí, para dar cuenta de la realidad, así como para  conmocionar los mitos y lugares comunes que la condicionan y que  sin ser ella misma parecen hablar en su lugar.  Asumir la escritura como parte de una experiencia de vida, lúcida  y crítica, constituye un esfuerzo por sobrepasar una historia  marcada por signos contradictorios. El afán desmitificador, la  asunción de una retórica que parece salir de la vía pública,  pero que no olvida su inscripción en el engranaje de la literatura.  son parte de un mismo intento por transparentar una opción  tanto por la vida como por las palabras.    Oscar Galindo</text>
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                <text>Poemario de Rosabetty Muños ...  "... el factor decisivo que opera en su escritura, es una sensibilidad femenina muy particular, que se manifiesta a través de una expresión certera y sugerente. Intuitiva, lúcida, asombrosa aveces, Rosabetty proyecta sus textos desde un compromiso definido con su condición de mujer chilota, hacia el ámbito de la literatura chilena y contemporánea. En ella, deja el aporte de versos definitivos, de poemas abiertos a lecturas en variados registros y de una escritura que explora con valentía niveles y matices encubiertos, desfigurados o negados de nuestra realidad".  "El libro que ahora leemos, Hijos (1990) nos sorprende de nuevo por el encanto de la sencillez y profundidad de sus versos y la visión singularmente femenina que ausculta y da un nuevo sentido a la cotidianidad. Visión reveladora de la ternura y el milagro de la existencia, y también de sus impiedades y terrores".    Iván Carrasco.    Texto en contratapa</text>
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                <text>Poemario de José Teiguel - LA HEREDAD DEL PASTO Y EL AGUA, constituye una exploración poética de la compleja identidad histórica y cultural del sur de Chile.  Por medio del relato histórico y de la crónica del presente, en sus ejes fundamentales, se articula la posibilidad de reescritura de ciertas zonas del pasado oscurecidas por su obviedad.  Contrastando la supuesta utopía colonizadora con la realidad actual del sur, estos textos van mostrando los quiebres y entre-cruzamientos de las voces públicas y anónimas que pueblan estos pastos, desenmascarando por este camino una historia traumática todavía en curso.    Oscar Galindo  (Texto de contratapa)</text>
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              <text>Guillermo Riedemann: nacido en Reumén. Ha publicado: Calle de Un Solo Sentido (2013). Hombre Muerto (2007). Con el seudónimo Esteban Navarro: Salto al Vacío (1998), La Manzana de Oro (1993), Mal de Ojo (1991), Para Matar Este Tiempo (1983), Poemas desde Chile (1981). Con la periodista Cecilia Atria: 10 Años de Poesía, Antología de Poetas Chilenos (1984), Premio Unión de Escritores Jóvenes de Chile, UEJ, 1978. Poemas suyos han sido traducidos al mapudungun, alemán, sueco, inglés y rumano. Actualmente reside en Santiago.</text>
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                <text>Poemario de Jorge Torres - El conjunto de estos pre-textos no puede leerse  como la simple suma de unos significados cuyo vínculo con la realidad, (su característica más obvia) nos obliga a repensar nuestra inserción en una contingencia histórica desmesurada y traumática, sino, más allá, como el producto de una operación semántica que revela la profunda irracionalidad de semejante Historia. La estructura semántica de este libro se levanta pues, como una síntesis metafórica de aquellas zonas de la realidad que se escurren silenciosamente en la transparencia "inocente" de la información o en el peso incuestionable, no racionalizable, de la cohersión. Esas zonas perdidas, esos puntos morbosos cuya dispersión, cuya irrupción excepcional en la cotidianeidad nos tranquilizan, aparecen aquí arrojando toda su locura, concentrando su inquietante absurdo...    Texto de contratapa</text>
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              <text>Verónica Zondek nació en Santiago de Chile en 1953. Reside actualmente en Valdivia, ciudad a la que ha dedicado uno de sus libros. Poeta, traductora y gestora cultural. Licenciada en Historia del Arte en la Universidad Hebrea de Jerusalén. Forma parte de diversos comités editoriales. Es asesora externa del Dpto. de Coordinación de Extensión de la Facultad de Filosofía y Humanidades de la Universidad Austral de Chile. Ha participado en numerosos encuentros literarios, tanto en el país como en el extranjero y ha sido organizadora o co-organizadora de muchos otros. Ha formado parte del jurado de concursos como los del Consejo del Libro, Fondart, Chilectra y Fernando Santiván. Ha obtenido dos veces la beca que otorga el Fondo del Libro para escribir, en 1997 y en el 2006 . La beca Fondart la recibió el 2007 para realizar junto al fotógrafo Abel Lagos el proyecto La Raiz del Viento en la Patagonia.    Ha sido publicada en muchas y diversas antologías de poesía de Chile y otros países. Sus poemas y artículos han aparecido en revistas de literatura tanto nacionales como extranjeras. Ha incursionado en trabajos poéticos visuales y audiovisuales, También ha trabajado en colaboración con pintores, grabadores y fotógrafos. Y ha  presentado algunas obras performáticas.    No puede dejar de mencionarse su magnífico trabajo antológico sobre la obra de Mistral: Poesía reunida.</text>
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Poeta, ensayista, traductor y académico. Ha publicado ArcoSanto (1991), peR,noCto (2002) y Ficciones críticas. Antropologías, literaturas, visualidades (Komorebi Ediciones, 2023); y, junto a Yanko González, La muerte se está fumando mis cigarros (traducción y notas de poemas de Charles Bukowski, 1996), Carne fresca. Última poesía chilena, una muestra (2002), ZurDos. Última poesía latinoamericana (2004) y El pequeño Chartier ilustrado de Roger Chartier (investigación, prólogo y edición, 2021).&#13;
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Como traductor ha publicado Vider les lieux /Mudanza de Alejandro Zambra (2015), Les cités d’eaux /Las ciudades de agua de Raúl Zurita (2015), Cujo /Cuyo de Nuno Ramos (2020) y La nueva novela / Le nouveau roman de Juan Luis Martínez (co-traducción al francés, 2021).&#13;
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              <text>Guillermo Riedemann: nacido en Reumén. Ha publicado: Calle de Un Solo Sentido (2013). Hombre Muerto (2007). Con el seudónimo Esteban Navarro: Salto al Vacío (1998), La Manzana de Oro (1993), Mal de Ojo (1991), Para Matar Este Tiempo (1983), Poemas desde Chile (1981). Con la periodista Cecilia Atria: 10 Años de Poesía, Antología de Poetas Chilenos (1984), Premio Unión de Escritores Jóvenes de Chile, UEJ, 1978. Poemas suyos han sido traducidos al mapudungun, alemán, sueco, inglés y rumano. Actualmente reside en Santiago.</text>
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              <text>Juan Pablo Riveros      Mario Contreras Vega      Jorge Torres Ulloa      Carlos Alberto TrujiUo      Elicura Chihuailaf      Clemente Riedemann      Maha Vial      Tomás Harris      Alexis Figueroa      David Miralles      Sergio Mansilla Torres     Rosabetty Muñoz      Oscar Galindo      Leonel Lienlaf</text>
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                <text>Antología Crítica Poetas Actuales del Sur de Chile  - Estamos ciertos de que la poesía escrita en el sur se inscribe en el contexto global de la poesía chilena, más allá, obviamente, de sus propias peculiaridades. Por lo mismo, al hablar de poetas actuales del sur de Chile, estamos precisando una zona de producción literaria sin pretender con ello configurar un sistema literaria con sus propias reglas y relaciones creativas.  Desde el punto de vista temporal, nos interesa dar cuenta de aquellos poetas que surgen con posterioridad al año 1973, que comienzan a publicar alrededor de 1975 y cuya producción se encuentra todavía en curso. En esta perspectiva esperamos dar cuenta tanto de los autores más relevantes como del proceso productivo en sus líneas de mayor vigencia y actualidad.  Incluimos en esta antología poetas desde Chiloé a Concepción, dado que en esta zona se ha configurado un espacio literario y cultural de real interés, lo que se expresa no sólo en la producción de algunos textos muy significativos, sino también en la constitución de un circuito de gestación y difusión de los mismos. Actividades como la publicación de revistas, la generación de sellos editoriales, la creación de grupos literarios y la organización de recitales y encuentros han sido parte inseparable de este fenómeno cultural.  Lo anterior tal vez no sea sino uno de los signos específicos de la dinámica de permanente interrelación entre la literatura y el contexto vital en que se inserta; por lo mismo, este trabajo constituye una muestra de este proceso en un momento determinado de su desarrollo, esto es, el de la irrupción y consolidación de una promoción de escritores en el espacio habitualmente denominado sur de Chile.   De esta manera, nuestra antología incluye tanto una colección de textos, de por sí significativos, como también estudios que pretenden contextualizar y enriquecer las posibles lecturas de los mismos en sus relaciones de contigí¼idad y disyunción.    Es necesario detenernos a destacar que nuestro trabajo no pretende ser representativo de la totalidad de la poesía producida en el sur de Chile, Es evidente gue existe una serie de poetas cuyo trabajo obedece a patrones literarios ya ampliamente superados. De igual forma, no hemos incluido promociones de poetas recientemente emergidos en este panorama y que desarollan su trabajo en forma individual o en diversos talleres o agrupa-ciones literarias, por su carácter todavía incipiente.  Por otra parte, es significativo precisar que esta antología no incluye a aquellos poetas que Inicíaron su trabajo en el sur de Chile para posteriormente desarrollarlo en otras zonas del país o del extranjero. El sentido de este criterio es subrayar el trabajo de aquellos escritores que han generado un espacio de produc-ción literaria en este contexto, durante las décadas antes señaladas. Lo anterioir implica, también, la opción por ciertos lenguajes y proyectos que consideramos aportan nuevas propuestas y gestos poéticos.  De este modo, la presente antología se propone dar cuenta de un espacio heterogéneo de producción poética, marcando así la apertura a sus lenguajes y a sus inquietantes territorios.    Oscar Galindo                         David Miralles    Valdivia, febrero de 1993.</text>
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              <text>Rosabetty  MUí‘OZ    Maha Vial    Sonia Caicheo     Antonieta  RODRíGUEZ    Carlos Trujillo     Clemente RIEDEMANN     Sergio Mansilla    Jorge Torres     Mario Contreras    Nelson NAVARRO    Oscar GALINDO    José TEIGUEL    Nelson TORRES    Mario GARCíA    Jorge VELASQUEZ</text>
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                <text>Antología Quince Poetas desde el Agua-Lluvia -  "Concurre a esta convocatoria, una parte significativa de los poetas nacidos en nuestra región y que en la actualidad laboran en la "responsabilidad frente a la palabra", asumiendo los riesgos de la escritura y, a la vez, buscando un espacio de legitimación para los proyectos textuales gestados en el sur de Chile y contextualizados en alguna de las actuales tendencias de la Poesía Chilena", "...los autores aquí antologados han venido sosteniendo, en mayor o menor medida, un trabajo poético que en lo inmediato ya ha entregado una serie de textos mayores, algunos de los cuales están en plena vigencia (citemos, sumariamente, los de Carlos A. Trujillo, Clemente Riedemann, Sergio Mansilla, Jorge Torres, Rosabetty Muñoz, Mario Contreras); más otros textos emergentes que, sin duda, vienen a ampliar el campo de significación temática y demás referentes involucrados en la actual Poesía Regional".    José Teiguel Teiguel</text>
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